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VORTRAG

IFK KINO mit Gaby Hartel

21. Oktober 2019, 18.00 Uhr Kunstuniversität Linz, Domgasse 1,Wohnzimmer Zeitbasierte Medien, 4.OG

Übertragung der Montagsvortrags des IFK nach Linz. Die Abteilungen Kulturwissenschaft und Zeitbasierte Medien laden zum wöchentlichen IFK Kino ins Wohnzimmer der Zeitbasierten Gaby Hartel
INTANGIBLE THINGS: ON FRIENDSHIP, VOICE, AND (PUBLIC) SPACE
This talk elaborates how such a fleeting thing as the voice has the power to form potent emotional structures, in Richard Sennett’s phrasing. Such emotional structures might ideally create an intangible aesthetic space from air, simply by binding together listeners and transforming them into active communicators and thinkers. Hartel has in mind both Elias Canetti’s insight that a dialogue with a close person is felt as if it were an alchemical process and Hannah Arendt’s belief that a conversation amongst friends is the smallest form of public space.Given her background as a curator and broadcaster, Hartel will explore the oeuvres of several writers and artists with whom she has worked. A. K. Dolven, John Giorno, Susan Philipsz, and Liliane Lijn employ the power of the human voice and the spoken word in their artistic practice. They create a type of magic through listening which in turn evokes thought, thus empowering audiences to draw on their collective energies of imagination. Heeding Virginia Woolf’s warning that “a voice is a beautiful instrument. It can enrage, it can enchant, but when it lectures it almost always bores,” Hartel will present her talk in the form of a radio programme. Gaby Hartel is a curator, translator, and award-winning broadcaster based in Berlin and London. Her portfolio encompasses the intersections of media, literature, and contemporary art, with a special focus on sound art. Gaby Hartel has taught and published widely in these fields. Exhibitions at the Kunsthalle Wien, Neuer Berliner Kunstverein (n.b.k.), Akademie der Künste Berlin, and ZKM Karlsruhe, among others. She is currently IFK_Guest of the Director.

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